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Sunday, November 30, 2008

Summer Dream progress

I've been on vacation this past week, and I've enjoyed spending a bit more time stitching. I've also been working on stitch study posts, starting to sell off a bit of excess stash on eBay (see the link on the right sidebar), and shopping for nursery furniture and other baby items.

Most of my stitching time has been devoted to Summer Dream, the EGA GCC by Luan Callery. As I mentioned previously, I'm changing some of the colors. The original piece has a pink lily and a pink butterfly and pink stripes on the bee. It's just not working for me. I've decided to change the butterfly to a monarch, since I always enjoy seeing these beauties flitting through my yard. Of course, the butterfly shape traced onto my fabric is not a monarch. I haven't quite figured out if I'm just going to change the colors to the oranges of the monarch, or try to draw a monarch outline over the shape on the fabric.

In the meantime, I've purchased wool for the lily in shades of yellow to orange, and I've stitched the bee with yellow stripes (what a thought!). Here is Mr. Bee. The stripes are cleverly made up of bullion knots, made just a tiny bit longer than the width of the body so they stand up a bit from the fabric. Oh - and his wings will come later! :-)


I've also been working on the larger leaves at the bottom of the piece. Instead of the Paternayan wools called for in the instructions, I'm using the leftover Medici wools from Fantasy Remembered, the companion piece. Medici is bit thinner than the Paternayan, but the colors are a pretty close match. The difference in thickness meant that I needed to do a few more rows of outline stitch to fill in the leaves, but I think it's working out well.

Thursday, November 27, 2008

Happy Thanksgiving!

My best wishes for a very happy Thanksgiving go to all of you.

DH and I (and Sophie, the greyhound) are going to his parents' house for dinner later this afternoon. Since my pumpkin pie is baked, I'm planning on spending the earlier part of the day enjoying some quiet stitching time and counting my blessings.

May each of you enjoy some quiet time with your needle and thread as well. If you don't have enough to stitch, you can always visit my Thanksgiving post from last year and enjoy some seasonal freebies!

Wednesday, November 26, 2008

Stitch Study 1: Detached Buttonhole

****Warning - picture-heavy post!*****

Welcome to the first official entry in my "Stitch Study" series of posts. As I mentioned in a post last weekend, the first unofficial stitch study was the post on spiral trellis stitch.

This post features basic detached buttonhole stitch. If you're familiar with buttonhole stitch (or to be accurate, closed blanket stitch), it is typically worked through the fabric, as shown here. Detached buttonhole is detached because each stitch is worked through previous stitches, not through the fabric, so the rows of stitches form a layer above the ground fabric.

You can do this stitch on any type of fabric, either countable or non-countable. So you can see the size of my stitches, the examples here are done on 30 ct linen with size 12 pearl cotton. I've used size 12 here because it's small enough for you to see the detail of where the needle is placed. Depending on the desired look, you could use a thicker thread. We'll revisit that thought later.

This stitch is easiest to work if the fabric is held taut in a frame of some kind. If it's worked "in hand", it's a bit too easy to pull too tightly, causing the fabric to buckle. I'm using a scroll frame, but you can use a hoop, q-snaps, or stretcher bars, too. Whatever you like!

Anyway, on to the stitch!

The stitch starts with a foundation row. Here I've used backstitch, worked across the area from right to left. You could use double-running stitch, but I think it helps to have the extra slack provided by backstitch.

After the foundation row is the desired length, come up at the left side, just a bit below the foundation row. Insert the needle under the left-most stitch of the foundation, from top to bottom. The point of the needle must lie on top of the working thread, as shown. This will start the first row of buttonhole stitches.

Pull the needle through, towards yourself. The thread will form a loop. Pull the thread until the loop takes up the space between the foundation row and the place where you started this row. Be careful not to pull the loop too tightly. You'll need to work the next row of stitches into this row. Getting the tension right is one of the trickiest parts to this stitch!

Continue working to the right, inserting the needle under each stitch of the foundation row and over the working thread.

By the time you reach the end of the first row, the number of buttonhole stitches will be the same as the number of backstitches in the foundation. After you take the last stitch into the foundation row, insert the needle into the fabric. This should be the same distance below the foundation row as where you started this first row of buttonhole.

To start the next row, come up again on the left side of the area, again, just a bit below the first row. (Note, here I'm making a plain rectangular patch. We'll talk about filling specific shapes next time!)

Now, you have a choice. You'll be working into the loops between the stitches. My example shows 14 buttonhole stitches on the first row. If I only worked into the loops between the previous stitches, I'd have 13 in the second row, 12 in the next, and so on. How do we fix this? We choose to work either into the leg before the first stitch in the previous row or into the leg after the final stitch in the previous row. As you can see by the picture, I've chosen to work into the first leg. This will offset each stitch in this row to the left of the stitches above.

As you work across this row, insert the needle into the loops between the stitches of the previous row. (My apologies for not catching a picture of that, but see the next picture on the left.) When you reach the end of this row, skip the final leg, as pointed out by the arrow in the picture at right.

Come up again on the left side of the patch, and this time, skip the first leg (see the arrow at left), and immediately start working into the loops between the stitches. This will stagger all the stitches of this row back to the right. What would happen if you didn't do this? You 'd end up with too many or too few stitches on a row, or if you always put a stitch into the first leg and not the last, the patch would be really crowded on the left and sparse on the right.

Of course, when you reach the end of this row, you do need to put a stitch into the final leg. By this time, you might be running out of thread. Do not try to start and stop a thread in the middle of a row. If you have enough to do another row, keep going. Otherwise, sink your needle to the back, do an L-stitch inside the patch area, and come up a few inches away from the patch. Start the next row with another away knot and L-stitch, and keep stitching.

Continue working like this, staggering the stitches from left to right on alternate rows, until your patch is the desired size. You might find that your stitching was not always even and you have a few bumps and dips along your bottom row. DO NOT PANIC! This is OK, and it should smooth out when you finish off the patch. To do this, you'll place little tacking stitches across the bottom of the patch, catching the loops of the last row of buttonhole stitches. In my example, I spaced the tacking stitches two threads apart, which was the same spacing as the backstitches in my foundation row. I decided to make each tacking stitch come up and down in the same hole of the fabric, but they could be over a fabric thread or two (or more), depending on the look you want.

When you finish the tacking, all that's left to do is to tie off the threads on the back. This is somewhat difficult, because you really don't have much to work with. I generally use the backs of the foundation row and tacking row. If you started and ended with L-stitches, you really don't need to tie off into many stitches.

On the left is my finished patch using the size 12 pearl cotton. Notice that there are gaps where the fabric shows through? Often you don't want those gaps. I could have eliminated this problem by making my foundation stitches smaller and spacing between rows smaller, or I can just use a thicker thread. The lighter pink patch uses the same spacing, but size 8 pearl cotton. See how it fills the space?


Congratulations! You've learned the basics of detached buttonhole! For the next stitch study, you'll learn how to fill a shaped area, such as a flower petal.

Monday, November 24, 2008

Happy Dance: Fabulous Finale

This post not only celebrates the completion of Jim Wurth's Fabulous Finale ornament, but the completion of all 12 ornaments in the dodecagon series!This ornament was a lot of fun to stitch, and it was my first opportunity to stitch with the Finca cotton floss and pearl cottons from the Spanish company Presencia. I did find that the pearl cottons had a few slubs, which were far enough apart that a stitcher could just use the length of thread between the slubs without a problem. The floss was just a tiny bit fuzzier than the DMC I often use. A color card for these threads might be useful, for when I'm trying to find colors that just don't come in Anchor or DMC (like the turquoise family I'm using in My Way).

Saturday, November 22, 2008

Happy Dance: Peace Tree

So much for switching to Summer Dream. On Wednesday, I received the kit for the last ornament in Jim Wurth's dodecagon series. I was reminded that I had not finished the previous ornament, Peace Tree, though I did work on it a bit a few weeks ago.

Because I'm switching some of the colors on Summer Dream, I decided it required too much thinking for the Thursday evening stitch night at the LNS. Instead, I brought Peace Tree, and finished the remaining beading.

I had hoped that this ornament would grow on me as I stitched it, but that really didn't happen. It's probably enough to say that it's my least favorite of the series, despite the beautiful, challenging crescent stitches done in Flair.

After I finished Peace Tree, I took it off the stretcher bars and reused them for Jim's Fabulous Finale. This ornament is not in my usual colors, but I'm really enjoying it. The proof is in the amazing amount I've stitched since Thursday evening, when I only had part of the border done.

The highlights of this piece are the five large flower-like motifs stitched in the Chilly Hollow stitch. This stitch was invented by the one-and-only Jean Hilton and named by fellow blogger Jane from Chilly Hollow.

A new series of posts: Stitch Studies

Based on my blog statistics, the most popular post I've ever written is my tutorial on spiral trellis stitch. Recently, Megan of Elmsley Rose asked me to do a similar tutorial on the partially-attached detached buttonhole stitch (anybody have a better name for this?) that I used for the top layer of the peapods on my Tudor Style Purse. I've decided that I really can't jump right in with the partially-attached version of this stitch without at least one on basic detached buttonhole.

This line of thinking has led me to a new line of posts. I was originally thinking about calling it "A Stitch A Week", but I realized that I can't really promise that I'll be able to do one reliably each week, especially after TK makes his (or her) appearance. So, I'm keeping it simple and relatively non-committal by calling them "Stitch Studies".

The first several will be on the variations of detached buttonhole, but I am open to suggestions for follow-on studies. What would you like to see?